by Michael McRay Sometimes, I take notes in haikus. John Paul Lederach taught me this, though I’ve never met the man. In his brilliant book The Moral Imagination, he writes of the art of haiku as the art of finding simplicity on the other side of complexity. I have found that listening at conferences or meetings through the filter of haiku forces me to listen for rhythm and complex simplicities. We tend to only hear 10% of what’s said anyway; haikus are an honest way of acknowledging and embracing our discriminatory listening by naming and engaging it from the get-go.
You can read examples of Michael's thinking-in-haiku by clicking here.
Michael T. McRay (M.Phil. Conflict Resolution and Reconciliation, Trinity College Dublin | at Belfast) is currently spending three months writing in Israel-Palestine, Northern Ireland, South Africa, and Rwanda as the Visiting Scholar for TCU’s new QEP project “Stories of Reconciliation.” He is the author of Letters from “Apartheid Street” and the forthcoming Where the River Bends: Considering Forgiveness in the Lives of Prisoners (Cascade, 2015), with a foreword by Desmond M. Tutu. He is the founder and co-host of Tenx9 Nashville Storytelling, and an adjunct instructor at Lipscomb University. You can follow him on his blog, Facebook, Instagram, and Twitter.