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Hungry In Riches

by Lee C. Camp That medieval Saint Thomas Aquinas insisted that Christian life was ultimately about happiness. This is an odd assertion, perhaps, for us Protestants and free-church folks, who have been so prone to focus upon the rigors of discipleship and taking up the cross as the fundamental measure of following Christ. To be happy?! Such an assertion sounds suspiciously like indulgent self-centeredness.

I suspect we should pay more attention to Aquinas’ contention in this regard. He’s not alone in such liberating summaries of the meaning of God’s work among us in the world: the second century church father Irenaeus, for example, insisted that “the glory of God is a human being fully alive.” And of course before Irenaeus, the New Testament proclaims the practice of joy as a hallmark of Christian life.

Note that phrase: the practice of joy. To practice joy seems counter-intuitive on the one hand: it is conventional wisdom, for example, that the more one sets out seeking happiness, the more likely one is to find misery. And indeed, it does seem that any sort of deeply rooted joy cannot be pursued straight on. Emily Dickinson is famed for having said, “Tell all the truth, but tell it slant.” The pursuit of joy seems in this way similar: it cannot be directly accomplished, must be something sought at a slant.

Like all the fruit of the Spirit, really, joy cannot be manufactured. It is, after all, fruit and not an artifice.

Yet on the other hand we humans have an indispensable role in cultivating fruit. There are complex and multi-layered processes of cultivation and care and stewardship that makes fruit, makes joy, possible.  But even still, it remains the gift of God.

This duality—awareness that our joy is always a gift from God, while simultaneously requiring on our part the hard and careful work of its cultivation—points us toward the role of gratitude and thanksgiving.

These practices of recognizing, naming, the fundamental giftedness of our lives, our existence, our days—these are something like the tilling the soil of our souls so that the fruit of a deep gladness might, at the right time and by the gift of God, spring up in our lives.


The year we began our annual tradition of doing a Thanksgiving Tokens Show at the famed Ryman Auditorium, one of the managers gave me a pre-show tour. I’m no entertainment professional; I get giddy still listening to a good musician who is good at her craft, so wandering around my first time backstage at the Ryman felt to me like being a kid again in the Woolworth’s in my small hometown when I had enough money in my pocket to buy whatever I wanted at the candy stand. I could hardly contain the wonder of it.

As I recollect, he said to me with all seriousness, something to this effect: “The room likes good music and people doing good work; it’s like the spirits of all those who have played here through those many years, like they are paying attention, and they want you to do well, and they are cheering you on.”

There does, indeed, seem to be such a spirit about the place: a deep gladness at the wonder of voices, the sweet strains of melodies, and the vibration of strings on fiddles and guitars and cellos, and the percussion from the thumping of the old stand-up bass and the striking of the strings on the Yamaha grand piano which sits on that hallowed stage.

I get to sit stage left over by the podium, whence I do my hosting and story-telling, watching world-class musicians and some of Nashville’s finest vocalists spin their musical tales, and when the lights are low on stage, I will let my gaze wander out over the audience, following the graceful lines of that old wrap-around-balcony which hovers over the space, subtly illuminated. My heart will jump with gratitude as I watch the faces of friends and strangers enrapt in the experience. Though the gathering is a fundamentally different sort of experience than when old Tom Ryman had built the Union Gospel Tabernacle for the preaching of Sam Jones, the effect is nonetheless the same: a spirit of gratitude which suffuses the place, reminding us that we humans are given the possibility of tasting the glory of transcendence, and that deep gladness of having been given the sweet gift of life, even with all its struggles and pains.

And the songs that I’ve heard spun on that stage are enough to nourish the soul for another season to work and labor and love: the song Vince Gill sang one night that he wrote about his brother, who lived on the streets for years, afflicted with addiction, who wandered into an old mission where he is welcomed to a table and a bed. I just laughed, and tears ran down my face, when I realized that this country music super-star had intuited something about the gifted nature of existence, and the manner in which the sacraments are but token reminders of this giftedness:

It’s bread and water, man that’s all you need Bread and water, and a place to rest your feet If you ain’t too proud to get down on your knees The bread and water’s free.

Or the night sweet little Lennon and Maisy, new young Music City phenomena, sang what has become the sort of “Nashville” show theme song:

Sittin' here tonight, By the fire light, it reminds me I already have more than I should.

I don't need fame, no one to know my name, at the end of the day, Lord I pray, I have a life that's good.


It turns out, of course, that the psychologists and sociologists, have discovered the importance of that old hymn we sing, to “count your many blessings.” Unfortunately, some of them are also telling us that it is, counter-intuitively, the glut of choices offered by western consumerist society that actually undercuts happiness and joy, which is to say that the more we insist on having it precisely our own way, the more unhappier we are becoming.

Our Thanksgiving show the autumn of 2013 was the start of a very hard season in my life, and I found myself grieved for a variety of reasons. Trying to lean in to the sort of stuff I tell my students they should do—“practice gratitude!”—I tried to take some of my own medicine, and found myself with a lyric and a melody that in time I got to sing that night on that beautiful old stage:

Hungry in riches, Bondage in greed, Chains in our freedom, Deep want in no need.

Oh give us hearts that are grateful, Hearts that are free. Hearts that are lovely, Delighted in thee.

Stranger to neighbor, Unknown to our friends, Overwrought in much nothing, Thus our hearts contend.

Oh give us hearts that are grateful, Hearts that are free. Hearts that are lovely, Delighted in thee.

May the God of all good gifts, whose mercies are new every morning, grant that we all might have hearts that are free, and lovely, and delighted in the One who has given us life.

Happy Thanksgiving.

Download the PDF of the article: Intersections V3N2 - pages 24-25, courtesy of Intersections.

Dispatches From the Buckle - 071

This week's podcast features host Lee C. Camp's reflections upon the sesquicentennial of the Battle of Nashville, December 15-16, 1864, fought in Lee's neighborhood, and then concludes with some segments from the Tokens Show entitled "Singing Down the Pain," recorded in the Downtown Presbyterian Church which was used as a hospital following the battle. For more pictures on the trip, visit the Facebook album here, and to get the CD from the show, visit here.


Greetings my friends: a blessed Advent to you.

We have taken too long a hiatus from our podcasting; and I shall not promise that we shall be back on a good regular schedule. But I had a few things I wanted to say on this beautiful Monday morning in Nashville, December 15, 2014: early this morning, early dawn, I could make out the heavy mist that lay upon us here in Nashville, and I had time to make a fire in the fireplace to warm up the house when it was still quiet before the boys were up getting ready for school, and I looked out upon the sun beginning to peek through the gray in the south east, the barren trees bearing witness to 150 years ago: most of the trees in our yard our hackberrys, which local lore has it at least, are not native to middle Tennessee. Hackberry seeds were brought here, so some say, in the feed wagons of the Union Army during the Civil War: and it is appropriate that here in our neighborhood there are many hackberrys, for it was precisely 150 years ago today that the Battle of Nashville was waged, 5000 or more killed.

Soon this morning the sun soon burned off the mist, and now it’s a beautiful, clear, cold December day. It seems so odd that thousands of people were killed here around my house, in my neighborhood, and so little to be said about it.

So I wanted to say something about it: to remember that there were many men of virtue and courage who nonetheless killed and murdered that day, and were killed and murdered that day. They gave themselves to something they believed in; and they were willing to die, and to kill, for what they believed in. They obviously had immense courage. And in a day in which we are so deeply fashioned by fear, it is worth honoring men of courage.

But to say such does not mean that we do not also have something to say about war-making; about those who lead well meaning people into war; or about the fetish Americans continue to have with war-making, with violence and slaughter. The American Civil war has been heralded by historians of war-making as an epic event in modern warfare: it gave us the rise of so-called “total war,” in which civilian populations become targets for war, in which industrialized mechanization becomes the means for mass slaughter: some 600,000 would be slaughtered in that war.

To honor the courage of men killed around me does not mean we do not also have something to say about the way in which the Gospel was pre-empted by sectarian allegiances. We have, it seems to me, completely missed the point of so-called “separation of church and state” when we then proceed falsely to assert that “the Gospel is not political.” Well meaning people mean by that, of course, that they do not want Christianity co-opted into any partisan political agenda, like Republican, Democrat, Tea-Party or Socialist; and on that score, I am in full agreement.

But that is an altogether different claim than to say “the Gospel is not political.” The Gospel IS undoubtedly political: it is a claim about the Kingdom of God. It is not that the Gospel is not political; it is that we, that I, remain so stubbornly opposed to the political claims that the Gospel makes. Namely, we do not want to love our enemies; we do not want to forgive seventy times seven; we do not want to pray for the good of those who spitefully use us. Instead, we want to see them vanquished, defeated, even humiliated. We want to win, because we think (we always think) we are the good guys, and that God is on our side, and that we ought therefore to win.

But the Gospel proclaims that victory comes not through vanquishing or killing one’s enemies; instead, the Gospel claims that victory comes through suffering love; that baptism trumps any and all other pledges of allegiance; that even if our enemies kill us, that the resurrection of Jesus is the down payment ensuring that we too shall be resurrected unto life.

I re-iterate: it is a falsehood that such claims are “not political.” It is that we, that I, do not like that sort of political ethic, because it scares us to no end. That is one reason I can say today, on this cold December 15 morning, 150 years after those days in which numerous men were slaughtered here in our neighborhood, that I honor the courage of soldiers: for it is never easy to place oneself in the space of suffering, in the space that one may be killed. I pray to have the courage that soldiers have. And I pray to have the courage that does not take up arms, and I pray to have the courage that can enable me to be willing to love those whom I hate.

We gathered a few years ago for a Tokens Show in the Downtown Presbyterian Church, used as a hospital 150 years ago today and tomorrow, following the Battle of Nashville. We share here some segments from that show.


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Lee C. Camp, Professor of Theology & Ethics at Lipscomb University, in Nashville, Tennessee, is the host of WWW.TOKENSSHOW.COM and the Dispatches from the Buckle Podcast, and the author of WHO IS MY ENEMY?