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Ricky Skaggs

Vocalist

A life full of music.  Thats the story of Ricky Skaggs.  By age 21, he was already considered a recognized master of one of Americas most demanding art forms, but his career took him in other directions, catapulting him to popularity and success in the mainstream of country music.  His lifes path has taken him to various musical genres, from where it all began in bluegrass music, to striking out on new musical journeys, while still leaving his musical roots intact.

2011 marks the 52nd year since Ricky struck his first chords on a mandolin, and this fourteen-time Grammy Award winner continues to do his part to lead the recent roots revival in music.  With 12 consecutive Grammy-nominated classics behind him, all from his own Skaggs Family Records label (Bluegrass Rules! in 1998, Ancient Tones in 1999, History of the Future in 2001, Soldier of the CrossLive at the Charleston Music Hall, and Big Mon: The Songs of Bill Monroe in 2003, Brand New Strings in 2005, Instrumentals in 2007, Salt of the Earth with The Whites in 2008, Honoring the Fathers of Bluegrass: Tribute to 1946 and 1947 in 2009 and Ricky Skaggs Solo: Songs My Dad Loved along with Mosaic in 2010), the diverse and masterful tones made by the gifted Skaggs come from a life dedicated to playing music that is both fed by the soul and felt by the heart.

Ricky was born on July 18, 1954 in Cordell, Kentucky, and received his first mandolin at the age of five after his father, Hobert, heard him harmonizing with his mother from across the house as he played with his toys.  Two weeks after teaching him the G, C and D chords, Hobert returned from working out of town shocked to see his young son making chord changes and singing along. He soon earned a reputation among the locals in his community.  When the legendary Bill Monroe came to Martha, Kentucky for a performance, the crowd wouldnt let up until Little Ricky Skaggs got up to play.  The father of bluegrass called six-year-old Skaggs up and placed his own mandolin around his neck, adjusting the strap to fit his small frame.  No one could have imagined what a defining moment that would be in the life of the young prodigy.  By age seven, Skaggs had made his Grand Ole Opry debut and performed with bluegrass legends Flatt & Scruggs on their popular syndicated television show, for which he earned his first paycheck for a musical performance.

In 1971, he entered the world of professional music with his friend, the late country singer, Keith Whitley, when the two young musicians were invited to join the band of bluegrass patriarch Ralph Stanley.  Ricky soon began to build a reputation for creativity and excitement through live appearances and recordings with acts such as J. D. Crowe & the New South.  He performed on the bands 1975 debut album for Rounder Records, which is widely regarded as one of the most influential bluegrass albums ever made.  A stint as a bandleader with Boone Creek followed, bringing the challenges of leadership while giving him further recording and performing experience.

In the late 1970s, Ricky turned his attention to country music.  Though still in his 20s, the wealth of experience and talent he possessed served him well, first as a member of Emmylou Harris Hot Band and later as an individual recording artist on his own.  With the release of Waitin for the Sun to Shine in 1981, Skaggs reached the top of the country charts and remained there throughout most of the 1980s.  As his popularity soared, he garnered eight awards from the Country Music Association (CMA), including Entertainer of the Year in 1985, four Grammy Awards, and dozens of other honors.  These achievements also placed him front and center in the neo-traditionalist movement, bringing renewed vitality and prominence to a sound that had been somewhat subdued by the commercialization of the Urban Cowboy fad.  Renowned guitarist and producer, Chet Atkins, credited Skaggs with single-handedly saving country music.

In 1997, after Rickys then-current recording contract was coming to an end, he decided to establish his own record label Skaggs Family Records.  Since then, Skaggs and Kentucky Thunder have released an amazing 12 consecutive Grammy-nominated classics, (8 of which went on to earn the revered award) while also opening the label to a variety of other musical artists, all the time keeping emphasis on bluegrass and other forms of roots music.  Ricky and Skaggs Family Records have had the privilege of working with many musical talents including The Del McCoury Band, Jerry and Tammy Sullivan, Blue Highway, The Whites, Mountain Heart, Melonie Cannon, Ryan Holladay, Keith Sewell, Cherryholmes, and Cadillac Sky.

Rickys first release for Skaggs Family Records, Bluegrass Rules!, set a new standard for bluegrass, breaking new sales records in the genre, winning Skaggs his sixth Grammy Award, and earning the International Bluegrass Music Associations (IBMA) Album of the Year Award.  In 1999, his second all-bluegrass album, Ancient Tones, won a Grammy Award for Best Bluegrass Album his second consecutive Grammy in that same category.  Just one year later, Ricky won his eighth Grammy Award in the Best Southern, Country, or Bluegrass Gospel Album category for Soldier of the Cross, his first all-gospel recording project.

Ricky made further progress with the release of his fourth bluegrass album in 2000, Big Mon: The Songs of Bill Monroe, a project which featured an all-star cast of musicians ranging from Dolly Parton, Patty Loveless and Travis Tritt to Joan Osborne, John Fogerty and Bruce Hornsby, and celebrated the music and the life of Rickys mentor, Bill Monroe.  Big Mon received much critical acclaim, including a Grammy nomination for Best Country Collaboration with Vocals.  The album was re-released by Lyric Street Records in 2002 under a new name, Ricky Skaggs and Friends Sing the Songs of Bill Monroe.  His fifth bluegrass album, History of the Future (2001), a timeless collection of both traditional bluegrass standards and newly conceived acoustic gems received rave reviews and industry accolades, including a Grammy nomination for Best Bluegrass Album and an IBMA nomination for Album of the Year, once again placing Skaggs among the leading innovators in the genre.

Skaggs first all-live album with Kentucky Thunder, Live at the Charleston Music Hall (2003), led to an IBMA Award for Instrumental Group of the Year an award Skaggs and Kentucky Thunder has taken home 8 times in the last decade.  The decision to record a live album was an obvious one for Skaggs.  From a string of high-profile tour dates with the Dixie Chicks in 2000, to his position as host of the unprecedented All*Star Bluegrass Celebration which aired nationwide on PBS in 2002, to his participation in the wildly successful 41-city Down from the Mountain tour Ricky has become one of bluegrass most dynamic and sought-after live performers.

He counts the current configuration of Kentucky Thunder among the best group of musicians he has ever worked with.  This group of guys meets my approval every night, Ricky says.  Each and every one of the pickers in Kentucky Thunder totally amazes me in every showand that, to me, outweighs any award we could ever win.  The all-star lineup of Kentucky Thunder includes Andy Leftwich (fiddle), Cody Kilby (lead guitar), Mark Fain (bass), Paul Brewster (tenor vocals, rhythm guitar), Eddie Faris (baritone vocals, rhythm guitar) and Justin Moses (banjo).  Live at the Charleston Music Hall was honored in 2004 with a Grammy Award for Best Country Performance by a Duo or Group for the Harley Allen-penned track, A Simple Life.

In 2005, Ricky earned his 10th career Grammy (Best Bluegrass Album) for Brand New Strings a beautiful collection of music featuring four Skaggs originals as well as several tunes by some of his most admired contemporaries, including Harley Allen, Guy Clark, and Shawn Camp.  In 2006, Skaggs was honored with a Grammy Award this time in the Best Musical Album for Children category for his contribution to Songs from the Neighborhood: the Music of Mister Rogers.  Greater success followed with the release of Ricky Skaggs and Kentucky Thunder Instrumentals, an album of all-original, all-instrumental material in Fall 2006.  Praised by fans and critics alike as a landmark album for Skaggs, Instrumentals debuted at No. 1 on Billboards bluegrass album chart and earned Ricky his 12th career Grammy Award (Best Bluegrass Album).

Cross pollination has been a mainstay throughout Rickys career, from his weekly collaborations with various artists as host of The Nashville Networks Monday Night Concerts in the 1990s to his recent pairings with Bruce Hornsby and The Whites.  Released in March of 2007, Ricky Skaggs and Bruce Hornsby (Sony/Legacy) drew from the deep roots in mountain music adding piano and Hornsbys inimitable songwriting to the core bluegrass lineup of mandolin, guitar, bass, fiddle, and banjo.  A major CMT Crossroads special coincided with the albums release.

His next recorded project, released in September of 2007 on Skaggs Family Records, was a literal family affair.  After years of blending their voices from the living room to the stage, Ricky Skaggs and The Whites teamed up for their first collaborative gospel album, Salt of the Earth, which resulted in a 13th career Grammy Award for Best Southern, Country or Bluegrass Gospel Album, followed by a Gospel Music Association Dove Award for Bluegrass Recorded Album of the Year and Inspirational Country Music Awards for Musician of the Year as well as Mainstream Country Artist of the Year and Inspirational Bluegrass Artist of the Year (with The Whites).

In 2008, Skaggs paid tribute to the man he has often referred to as his musical father, Bill Monroe, and the original lineup of the Bluegrass Boys (Earl Scruggs, Lester Flatt, Chubby Wise and Howard Watts) with the release of Honoring the Fathers of Bluegrass: Tribute to 1946 and 1947, earning a 14th career Grammy Award for Best Bluegrass Album.

A musical father in his own right, Skaggs continues on the full circle path with the addition of a ReIssue Series of his groundbreaking country music masterworks to the Skaggs Family Records catalog in 2009.  Beginning with 1982s Highways & Heartaches, and followed by 1981s Waitin for the Sun to Shine and 1983s Dont Cheat in Our Hometown, the ReIssue Series will include nine albums total and includes bonus retrospectives with each release, which feature Ricky, in his own words, sharing never-before-told stories about the making of each project.

Skaggs first-ever solo album, Ricky Skaggs Solo Songs My Dad Loved (2009), celebrates the man that caused him to fall in love with music his father, Hobert Skaggs.  He elaborates, If I couldve gotten my dad into the studio, this is how I wouldve wanted him to sound.  Playing every instrument and singing every note on the album, Ricky brings raw, emotional honesty to the songs.  By coming home to the music that meant so much to him as a child, Ricky has tapped into a wellspring of passion that he channels into every tune.  Its as though he willed himself back to his familys house in Kentucky.

Ricky Skaggs new album, Mosaic (2010), is a return to a full band sound that mixes elements of Country music with Beatles-esque melody and lyrics that speak to Skaggs faith, making music that is in my head and in my heart, as Ricky says.  Grammy winning songwriter/producer Gordon Kennedy, who co-wrote Eric Claptons Change the World, is instrumental as co-producer and writer.  This most special album hooks the heart, as the sounds invite you in to take notice and come closer.  They have blended their talents and love of music with their love for the Lord to create a distinctive collaboration of writing and talent that is unparalleled in strength of genius.

Ricky Skaggs has often said that he is just trying to make a living playing the music he loves.  But its clear that his passion for it puts him in the position to bring his lively, distinctively American form of music out of isolation and into the ears and hearts of audiences across the country and around the world.  Ricky Skaggs is always forging ahead with cross-cultural, genre-bending musical ideas and inspirations.

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